Kings Creek Meadow

After spending blue hour at Helen Lake, I moved on to the Kings Creek Falls trailhead. Driving along seeing upper Kings Creek Meadows with the creek meandering all over the place, I had to evoke my travelling rule stopping the car to shoot it. There aren’t any wildflowers here like other places in the park, but the creek really captivated me. It looped in and out all over the meadow. All of this in the shadow of Mount Lassen.

Kings Creek Meadow

I shot this on a tripod, but I really didn’t need to. I could have more easily shot this around f/18 or f/16 and got a shutter speed over 1/60th. With VR, shooting this hand-held would have freed me up to compose my shot more easily.

In post, I had to make a large white point adjustment. This shot was primarily in the black tones. With my curve, I anchored the blacks where they laid and then pushed up the whites to get the contrast I like.

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Sluice Box

This section of Brandy Creek near Wiskeytown Lake had so much to offer. There were five little chutes and cascades that were extremely photogenic. Here the moderately sized creek was narrowed down into this tight chute that reminds of a sluice box. Standing above it, you could here all these funny suction sounds as the water was forced into this crack.

Climbing over the big boulders was well worth the view of this from the bottom. The water was very clear, cool and refreshing.

Sluice Box

When I was looking for a composition, I found these partially submerged rocks that mirrored the opposite side of the pool under the fall. The sun had moved behind Shasta Bally, but still offered plenty of ambient light. So I was able to choose f/18 w/o any filters to get a 2 second exposure. I manually focused this shot with VR turned off. I set the exposure compensation to -2/3 because I loved the mood created by underexposing it .

In post, I started with a curves adjustment to punch up the contrast. I spent most of my time with Lightroom’s brush tool dodge and burning like a paint brush. Underexposing the shot gives me extra flexibility to bring up highlights to really emphasize the depth. I love highlighting the ridges of the rocks and boulders while darking less interesting areas.

What do you think?

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Mossbrae Falls

I’ve driven by Mossbrae Falls visiting family so many times that I couldn’t take it anymore. The time was right, so I pulled off and made the effort to see the waterfall. I traditionally have an aversion to visiting places that are so popular, so that’s why I never made the effort. Now don’t get me wrong, Mossbrae is popular for a reason. It’s very unique and very beautiful! While I was there shooting around 7pm, six groups of people came through to admire the falls. Only one group was concerned about getting into my shots (which I really appreciate). The rest were clueless so my patience was tested.

People aside, I found the waterfall very challenging to shoot. It’s far too wide at 150 feet to get the entire waterfall into a single shot. You can’t get back far enough due to trees. The other challenge is originality. I see this shot from my contacts on Flickr frequently and there just are so many compositions. I took many shots and had fun. I hope you enjoy this shot. Many more to follow in the future.

Mossbrae Falls

To get this water blur, I chose a small appeture f/22. With a .6 ND filter, I managed a 2.5 second exposure. I also disabled VR because I was shooting from a tripod. Focused manually. In post, I did a curves adjustment and burned in a few corners that I felt were distracting.

What do you think?

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Good Luck Sunset

You can plan a shoot by researching when the light will be best. You can find the best vantage points and have all the right gear, but really there is no substitute for good luck. When the light is just right or some amazing clouds as in this case are in front of you, you need to be ready and willing with your camera.

This landscape is one I look at everyday. It’s the view from my back yard. I had family over to celebrate my two oldest son’s birthdays. I stepped out for some reason and my jaw dropped. The normally empty sky was filled with with what you see.

Good Luck Sunset

When I was trying to compose a shot, I saw how the clouds seemed heavy right in front of the sun and the radiated out. So I chose to make the shot symmetric with the sun centered. I then moved to put the sun in the bottom of the U formed by the oak tree to reinforce the symmetry.

I was shooting into the sun, so I choose f/13 which gave me a good DOF and still had a fast enough shutter hand held. I didn’t use any filters, so in post I used Lightroom’s gradient tool which does a great job of replicating a NDG filter. The sky was over exposed, so I was able to even out the sky. I did a curves adjustment to bring out some contrast from the clouds too.

I’d love to hear what you think!

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“Very” Lower Brandy Creek Falls

Edit: When I went to geotag this, I learned that I never in fact reached Lower Brandy Creek Falls. Leon Turnball has it mapped .2 miles down the trail from the parking area which I never left. So I renamed this “Very” because it’s not an official waterfall. but it’s beautiful none the less.

My wife and kids have been out of town since Tuesday, so I’ve been bachin’ it all by myself. After work yesterday I stayed in Redding and hoped to meet up with a friend and take him to shoot a waterfall. He had to work late, so I headed up to Lower Brandy Creek Falls near Wiskeytown Lake alone. I arrived at the parking area with plans to shoot both the upper and lower falls. The lower falls are located right at the parking area. Having never been here, I didn’t really know what to expect. I was pleasantly surprised that the lower falls is more a section of the creek with five 6-8 foot cascades. I found so much to shoot here that I didn’t have the time or need to head up the the bigger upper falls. That’s for another expedition.

In this section of the creek, water is flowing through various slots carved through huge granite boulders and bedrock that make up the narrow canyon here. Most of these falls would probably be a blast to slide down and swim in. The rock is all smooth and the water a very comfortable temperature.

The canyon is deep and full of thick trees so even an hour before sunset, I had fantastic soft light to shoot. I took over a hundred shots here, so It’s going to take some time to get the best published. In no particular order, this is my first shot.

Lower Brandy Creek Falls

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Summer Sunset

For those of you that aren’t familiar with the northern valley of California, it’s hot, dry and rarely do we see clouds. So today when I left work to see it completely overcast, I knew I’d be in for a better than average summer sunset. Tonight was the meeting for the Tehama County Photography Club which got out at eight. Knowing the light was near it’s peak, I ran over to a spot I had scouted out prior on the Sacramento River. Once parked, I literally ran about a 1/4 mile down a bike trail to get here. I kicked off my shoes and head out into the river.

Summer Sunset

Now at this point I fell victim to what I’m sure many photographers have to deal with. That is adrenaline. The sunset was just starting to explode with this magenta light and I wasn’t really paying attention to every detail about the shots I was taking. Namely, I totally wasn’t thinking about the light wind and the ski boat going back and forth disrupting the water’s surface. I was just thinking I wanted to get a longer exposure using ISO 200 to get the deepest colors possible. Totally ignoring the fact that the reeds in the foreground and even the oak trees across the river were going to move in the breeze. Most of the shots were far too blurry to post. Some how the wind paused for ten seconds while my shutter was open to get this shot. This wasn’t my favorite composition, but it still has jaw dropping color.

So how did I get this much color out of the sky? First of all, I’ve been holding off to shoot this until the conditions were right. I almost never get clouds this time of year, so I jumped on the chance. God did most of the work tonight.

Secondly, I set the Picture Controls to the Vivid setting with saturation at +3. That gives me the richest colors possible right out of the camera. The matrix metering was over exposing the shot too, so I compensated -1 stops which brought be really close. On aperture priority mode, I choose a wide DOF that was still sharp, F/16.

Lastly in Lightroom, I found the exposure was still above my taste, so I took the RAW file down to -2/3 of a stop further. I took the Tint slider and made a tiny adjust towards magenta which brought the colors back to what I saw with my eyes. I took the brush tool and bumped the contrast in the clouds to give them more depth.

Most of this work was spent setting up my camera. The few adjustments I made in Lightroom literally took me five minutes.

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Small Moves

Early Saturday morning, I was tromping around in the shadow of Mount Lassen before sun up. I was shooting with @horse_mumbler and @treebud6048 so we were jockeying around the lake looking for own vision of the best shot. Not very satisfied with what I was seeing around the lake, I looked across the road and saw this really unique rock formation that grew right out of the ground. It was very brittle with many of the thinly stacked layers chipping away.

When on top, I saw this V that almost followed the reflection in the lake. The challenge was on. I was on a very uneven rock surface. So I began to position my tripod to line up the shot. I would check through the viewfinder, adjust, check, adjust and then check again. I found this shot after 12 adjustments to the tripod. I think it was worth it.

What do you think?

Small Moves

Helen Lake at Mount Lassen

Woke up at 3, packed up the family and drove over to my Dad’s house. Picked him up and headed up to Lassen. We rolled through the south gate at 530. I had a big itinerary for sites I wanted to hit. Wanted to get first light at Helen Lake, run over and get King’s Creek Falls and then wrap it up at Bumpess Hell.

I’ve decided to adopt Lassen for a project. I think of photographers like Ansel Adams. He lived in Yosemite, so he was very intimate with the area and how it looked throughout the day. So I learned a few things today with where the light falls and I have a few new places I want to get some shots from. I want to know Lassen inside and out. Today I found that Helen lake isn’t in the right place to get Lassen under first light.

So all this talk about first light and I’m not sharing any this time. This shot I took right before we left after seeing everything on the itinerary. Some clouds rolled in, so I took this modest 4 frame panorama. I shot four shots vertically overlapping about 20 percent. I didn’t really have a good flat horizon to line it up against, so I just kept panning left and right making adjustments until it looked good edge to edge.

Helen Lake at Mount Lassen

Using Lightroom’s compare feature from the Develop module, it lets you get two shots up side by side. I just normalized all of the exposures to prevent any vertical banding. This is just trial and error for me. I start with the middle shot and work my way out. When they’re all evenly exposed, I jump back into the grid view and select all four shots. Right-click, mouse-over “Edit In” and then click “Merge to Panorama in Photoshop”. This sends you to Photoshop with all four shots loaded into Photomerge. I used all of the defaults including Auto for the Layout. Clicked okay and let photoshop chew on this for a few minutes and it looks like this.

So I crop it down to remove all the uneven edges. If it looks good, I will merge all the layers together because it wants to use TIFF format to save and return back into Lightroom. Multi-layered TIFFs are extremely huge in the file size department and makes my network file server cry for mercy. Merging them keeps the file size manageable.

Once saved, it goes right into your Lightroom library where I make my normal corrections for exposure, contrast and color temperature.

 

New Life

My shot today is of a newly planted bare-root Catalpa Tree. They have very broad heart shaped leaves that are beautiful.

New Life

For processing, I applied Lightroom 3′s BnW preset simulating the use of a green filter. That was a fantastic starting point because that brought out so much texture and so many tones. From here, I really brought up the blacks. The shot already had good highlights. Since this was shot hand-held in pretty low light, the camera choose ISO 2500. Corrected this noise and I have a winner here.

 

Steal My Work

Old & New

The internet has always been a mostly free service. Yeah, you pay a service provider to gain access to the network using their lines, but a majority of the content and services on the net are free. This norm has led many to feel it is acceptable to download things like music and movies free of charge. As a photographer I provide content which can and does get stolen. It’s not uncommon for someone to search Google Images to find a photograph to use in a school project, their personal website or even to use in a business brochure.

There are many things people do to protect their photography against theft and they’re all well intentioned, but I don’t use any of them. Many have accused me of being foolish making it too easy to steal my work. That may be true, but let me explain. First off, all of my works is offered with a Creative Commons license. To be exact, Attribution-NonCommercial-ShareAlike Creative Commons. All the that to say that anyone can use my work and even make changes to it so long as they don’t use it commercially and they must give me credit for it. So you can download my work to use in a blog posting, a school project about art or to admire as a computer wallpaper. If you need a shot for a flier, a menu or simply to print and hang on a wall is considered commercial and you need to pay for a licence. This is like free advertising for me. It gets my work out there by word of mouth. The people that will use my work non-commercially would never purchase a licence anyway, so why limit what they can do for me. They take my work and my name and it gets spread further in less time. Think of all the mind-share and goodwill trust I earn by so liberally sharing my work.

Many people like to put watermarks on their photographs. For me it’s clear they distract from the shot and do nothing from stopping someone from stealing. Some watermarks are less obtrusive than others, but they’re all obtrusive to some degree. A thief will either clone out the watermark or go find a similar shot that isn’t watermarked. Either way, a thief isn’t going to pay for a license, so why would I put a blemish on all of my shots when it isn’t loosing me any money. Businesses that play by the rules always will. I’m not going to twist a thieve’s arm into licensing my work if it has a hard to remove watermark. That’s just being realistic.

The other silly thing I’ve seen from time to time is right-click protection. Some websites run a Javascript that will block a reader’s ability to right-click an image and choose save-as to download it. The basic rule for images on the internet is this, if you can see it on your screen it can be downloaded. Clever people can inspect the code and find the source URL for the image and go around the Javascript. They can also take a screen capture and crop it down to get just your image.

Burney Falls

New tools are popping up that make it easier to track down theft. Sites like Tineye.com have a database of images they’ve found on the net. The cool part is you search with your original image. It compares your shot with all the shots in their database and finds matches. It doesn’t matter if they’ve been resized, cropped or modified, their algorithm will find your shots if they’ve been stolen. If someone stole my work and I catch them, they are liable for the license fees lost or more for damages and interest.

So the bottom line is exposure. I’m not going to hinder the natural word of mouth of people talking about my work. They can download and share the full size originals. If they break the rules and use them outside of the CC license, I probably won’t catch them, but it’s not costing me anything either. If anything it’s getting my work in front of new eyes that may someday want to license it.

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